Faculty and Staff
* indicates full-time faculty / Artist-in-residenceTheater Staff
John Green (Department Chair)
John is the Chair and Professor in the Department of Theatre at Columbia College Chicago. He was born and educated in the United Kingdom, where he earned his Ph.D. in theatre from the University of Plymouth. He specializes in teaching stage directing and is a passionate advocate of interdisciplinary and intercultural performance.
Prior to joining Columbia College in June 2009, Green was Chair of Theatre at Butler University in Indianapolis, a position he held from 1998 until spring 2009. Under his leadership the department received numerous local and national awards for cultural vision, community leadership, teaching excellence and artistic merit. In 2002 Green created the Butler International Theatre Project (BITE), an annual summer program devoted to exploring international theatre in collaboration with leading theatre practitioners from around the world.
As a professional stage director, Green has many productions to his credit. His work has been staged at the Edinburgh International Festival, and theatre festivals in England, Ireland, Wales, France, Germany, Slovenia, Russia and Australia. He staged the Midwest premiere of The Photographer by composer Philip Glass, and his production of five short plays by Samuel Beckett was a finalist at the Kennedy Center American College Theatre Festival, for which he received an outstanding director award. Green has been a regular director for the Indiana Repertory Theatre for whom he has created critically acclaimed productions of The Taming of the Shrew, Julius Caesar, Cyrano de Bergerac, A Turn of The Screw, A Midsummer Night’s Dream, Underneath the Lintel, and Crime and Punishment.
Brian Shaw* (Associate Department Chair)
M.A., DePaul University School for New Learning. Brian is the Associate Chairperson of the Theater Department and teaches acting, physical theater and community-based performance. He is the recipient of the 2003 Excellence in Teaching Award from Columbia College. Brian is a member of the physical theater company Plasticene, whose work has performed in Chicago, New York, and Edinburgh. Brian has performed with numerous theaters in Chicago, the Festival of the Americas in Montreal and the Hispanic Theater Festival in Miami. In 2008, he appeared off-Broadway at the Barrow Street Theatre in “The Stangerer” by Mickle Maher. His most recent project is the independent feature film “The Defiled” in which he plays the leading male role.
In 2001, he developed an exchange program with the Academy of Arts in Novi Sad, Serbia. In 2003, under his direction, students from the Academy and the Theater Department collaborated to create a production for the INFANT festival. Brian developed the Department’s ongoing exchange programs with the University of East London and the Dublin Institute of Technology. He helped develop the Comedy Studies program run in partnership with Second City.
Brian also works with the College’s Center for Community Arts Partnerships, developing programs with community-based organizations to engage students and faculty in the creation of youth theater.
www.plasticene.com
www.defiledfilm.blogspot.com
www.comedystudies.com
Sheldon Patinkin* (Directing, Acting)
M.A., English, University of Chicago; Artistic Consultant to The Second City and Steppenwolf Theatre, author of The Second City: Backstage at the World's Greatest Comedy Theater & Keeping Up With the Times: A History of the American Musical
Mary McDonald Badger (Producing Director)
USA, AEA, Graduate of Kansas State University, United Scenic Artist lighting designer, USA Regional Chair and 401(k) Trustee, Resident Designer for Cerqua Rivera Dance Theater, Actor's Equity Association stage manager, Chair of the Michael Merritt Awards and Scholarship program for Excellence in Design and Collaboration. Recent productions include Massacre (Sing to Your Children) presented by Teatro Vista at the Goodman Theatre and Living Green for Victory Gardens Theatre.
Andrea Dymond (Facilitator of Theodore Ward Contest)
Gwenne Godwin (Master Electrician)
Tom Keiffer (Costume Shop Foreman)
B.A., Communication, M.A., Theater, Bowling Green State University; freelance costume designer, actor, singer; Joseph Jefferson Award-winning designer
Anastasia Platt-Lubin (Properties Master)
Michael Maddox (Technical Director)
B.A., Purdue University; freelance set designer
Ed Mazzocco (Academic Coordinator/Office Manager/Administrative Assistant)
B.A., Journalism, Eastern Illinois University; full-time staff member; staff editor Daily Eastern News; staff reporter Charleston (IL) Times-Courier
Cecilie O'Reilly* (Coordinator of the Voice Program)
Currently Teaching: Voice for the Actor I, II, III and Acting III Styles: Women Playwrights
Vocal Coach – Mainstage Season Productions & Directing Projects
Vocal Coach/Accent & Dialect Coach for Steppenwolf, Goodman and Milwaukee Repertory Theaters – 1995-current
Irish Theatre Director for the Chicago Humanities Festival – 1995-2000
Participant Chicago Institute for Voice Care Midwest Voice Conference – 2007, 2008 & 2009
B.S. in Theater & Education – IWU, Bloomington, IL – 1971
Classical Voice – U of Colorado, Boulder, CO – 1971-2
Classical Voice – Santa Barbara, CA – 1972-3
Post Graduate Conservatory Certificate in Theater – ACT, San Francisco, CA – 1974
Classical Voice & Music Courses – NIU, DeKalb, IL – 1975
B.A. in Music – CCC – 1994
Member Actors Equity Association – 1983-current
Consultant for Primus Theatre – Department of Senior Services for the City of Chicago – 1998-current
Susan Padveen*
(Artistic Director, Studio Theaters/ Audience Development &Young People's Theater Program Director)
M.A., Depaul University, School for New Learning; freelance director; former co-Artistic Director, National Jewish Theater; co-Director, Green Room Project, member Joseph Jefferson Committee A/T Team
David Puszkiewicz (Production Manager)
B.A. St. Mary’s University, freelance manager/technician; Mayor’s Office of Special Events; Ravenswood Event Services; Chicago Event Management; Jack Morton; Chicago Scenic Studios; Big Creek Productions; founding member, Absolute Theater Co.; St. Nicholas Theater Co. New Work Ensemble, Player’s Workshop of Second City.
Julia Rhoads (Body Movement, adjunct faculty)
Julia is a choreographer who has been described as “Chicago’s resident surrealist” in the Chicago Sun Times, and “adept at both provocative and humorous material” in PAJ: A Journal of Performance and Art. In 1999, she founded the dance theater company Lucky Plush Productions, and has since created 30 original works with the company including performance installations, 2 dance films and 8 evening-length interdisciplinary productions. As an independent artist, Julia’s work has been presented in venues and universities across the U.S including commissions for Alaska Dance Theater, Mordine and Company Dance Theater, and River North Chicago Dance Company. She has also directed and choreographed for theater, performance and film companies including Redmoon Theater, Walkabout Theater, Hyperdelic, and the interdisciplinary collective M5. Julia is formerly a company member of the San Francisco Ballet, a collaborating ensemble member of XSIGHT! Performance Group, and she has been a guest artist with Beppie Blankert Danceworks, the Itinerant Theater Guild, and Baubo Performance Project. She has received a Cliff Dwellers Foundation Award for Choreography, two Illinois Arts Council Fellowships for Choreography, a Jacob K. Javits Fellowship, a Chicago Dancemakers Forum Lab Artist Award, a fellowship from the Maggie Allesee National Center for Choreography, and has been selected as one of Dance Magazine’s 25 to Watch in 2010. Julia earned a BA in History from Northwestern University and an MFA from the School of the Art Institute Chicago, and she currently teaches part-time in the theater department at Columbia College Chicago.
Patricia Roeder (Costume Shop Manager)
B.S., Loyola University, freelance costume designer and stitcher
Michael Ryczek (Academic Manager)
He received his undergraduate degree in theatre from Roosevelt University and his Master’s Degree in theatre from Northwestern University. He is the former Artistic Director and Founder of Reflection’s Theatre and the former Managing Director of Lookingglass Theatre. He freelances as a director and actor, having worked at many theatres around Chicago most recently at Bailiwick Repertory, Bohemian Ensemble and Redtwist Theatre.
He has directed over 30 shows in the Chicagoland area, most recently, MARVIN’S ROOM at Redtwist Theatre. He is the former Managing Director of Lookingglass Theatre and the former Artistic Director of Reflection’s Theatre. He received his Master’s degree in theatre from Northwestern University and his undergraduate degree in theatre from Roosevelt University. He is currently the President of the board of Season of Concern and a member of the Joseph Jefferson Artistic Committee. He continues to perform his one-man show Ten Seconds around the Chicagoland area
MFA Iowa Writers Workshop,University of Iowa; MFA Iowa Playwrights' Festival, University of Iowa, commissioned by the BBC, the Guthrie Theatre, Portland Stage Company, Ensemble Studio Theatre, recipient TCG/NEA Playwrights Fellowship and CEC Artslink International Fellowship, Iowa Arts Council Fellowship, BBC International Playwriting Award, Tampa Bay Performing Arts Award, and grants form the NEA, Iowa Arts Council, Bush Foundation.
Joe Szaday (Head of the Audio/Visual Department, Theater Center)
A/V Coordinator for the Columbia College Theater Department and Working Musician. Teaches bass and Guitar on the weekends and recorded a live album with ‘Azure Play’ in January 2009. Performs regularly with 'The Billy Nicks Trio', 'JWQ', ‘Azure Play’ and 'Crystal Blue Jazz'. Recent album: We Three Strings with Bryan Lubeck, Johannes Linstead and Tomas Michaud which was voted in the Top 10 must have Smooth Jazz Christmas albums of 2006 by WNUA in Chicago. Sound Designed for the CCC Theater Department Productions of ‘Romeo & Juliet’ and ‘The Playboy Of The Western World’.
Mick Thomasson (Master Carpenter)
Andra Velis Simon (Musical Director)
Andra has worked with nearly 50 arts organizations in and around Chicago. As a Music Director, Vocal Director, Arranger and Accompanist, she has worked with BoHo, City Lit, Defiant (RIP), Emerald City, Hell in a Handbag, The Hypocrites, Lifeline, Open Eye, Rivendell, Signal, Stage Left, Strawdog, Theatre Building Chicago, and many others. She also toured for three summers with Wavelength, a comedy troupe that performs for educators across the country. Areas of special expertise include the development of new musical theatre works and coaching vocalists at all skill levels. Andra also worked for many years in arts administration, and has extensive experience in media relations, marketing, fundraising, special events, and institutional management. She served as the Managing Director of The Neo-Futurists, Marketing Director of Court Theatre, and in the fundraising department at the Kennedy Center in Washington, DC. As a freelance arts management consultant, her client list included some of the Chicago area’s most celebrated arts institutions, such as Next Theatre, About Face, and Victory Gardens.
Julie Young (Assistant to the Chair)
B.A., Theater, Design Concentration, Columbia College; freelance set designer, adjunct faculty
Acting
Paul Amandes* (Acting Lecturer)
B.M., Northern Illinois University; actor and director; vocalist and musician; composer, lyricist, and playwright. 2008- Recorded a professional CD (with singer-songwriter, Anne Hills) of the songs from his play Local Wonders. Paul has performed concerts of the songs around Chicago. He also updated the score and script with co-writer, Virginia Smith. Paul directed The Playboy of the Western World for Columbia’s Theater Dept. in the Getz Theater. He was featured on a CD recording of The Kingdom of Grimm by Douglas Post. Paul will be on sabbatical for the Spring 2009 semester, where he’ll be updating his scripts Little Christmas; Epiphany and Instruction for the Serious Guitarist and Two-Fools Gold. He’ll also be putting together a marketing plan for his plays and songs. He’s hoping to record a CD of songs he’s written that aren’t part of any show. Paul is an active member of the Dramatists’ Guild, Actors’ Equity Association, and ASCAP.
Tab Baker (Acting)
Magica Bottari (Acting)
Has worked with numerous Chicago theatres over her twenty-year career including The Bog, Steppenwolf, Remains, Chicago Shakespeare, Neo-Futurists, Doorika, New Crime, Blind Parrot, City Lit, Trap Door and Victory Gardens. Ms. Bottari most recently appeared on stage as Miss Maudie in To Kill A Mockingbird with The Bog Theatre and as Emilia in Desdemona: A Play About A Handkerchief, which played at the Sanford Meisner Theatre in New York City. She has also appeared in the yet to be released feature films Silent Shame and Drunkboat. On the small screen, Magica can currently be seen on PBS’ Literacy Link. She has also done a good deal of commercial work, most of it airing outside of Chicago.
Kristi Bramlett (acting, adjunct faculty)
Gigi Buffington (Acting)
Eric Burgher (acting, adjunct faculty)
Dale Calandra(Acting)
Will Casey (Acting, adjunt faculty)
B.A., Theatre Arts, St. Edward's University, M.F.A., University of Southern California; actor; ensemble member of Famous Door Theatre Company; recipient of the Jack Nicholson Scholarship from the University of Southern California
Harrise Davidson (Acting)
Kristen Fitzgerald (Acting, Adjunct Faculty)
She is an actor and proud ensemble member of A Red Orchid Theatre. In 2008 she was also named Artistic Director of A Red Orchid. Kirsten was most recently on stage there in Pumpgirl for which she has been nominated for a 2009 Joseph Jefferson Award for Best Actress in a Principal Role. She has been the recipient of other awards including an After Dark Award for her performance in Moon for the Misbegotten (Circle Theatre) and a 2006 Joseph Jefferson Award for her performance in The Sea Horse (A Red Orchid) as well as a Jeff Nomination for Mr. Bundy (A Red Orchid). She has also been seen on stage at Chicago Shakespeare Theatre, Steppenwolf, The Goodman, Defiant, Chicago Dramatists, National Pastime, Famous Door, Next and Apple Tree Theatres among others.
Khanisha Foster (acting, adjunct faculty)
Lilly Frances (improv, adjunct faculty)
Jeffrey Ginsberg* (Acting Coordinator)
M.F.A., Yale School of Drama; actor, director and educator. As co-artistic Director of the National Jewish Theater for four years, he supervised, directed or acted in over twenty classics, as well as Chicago and world premieres. He was also co-artistic director of the Immediate Theater Company where he directed Jeff recognized productions of Seduced, Two Small Bodies, Apocalyptic Butterflies and Ragged Dick. Recent projects include (as director): The Last Letter, a solo performance from Vasily Grossman’s novel Life and Fate, performed at Spertus College and Columbia College, The Incredibly Famous Willy Rivers with the Sinnerman Ensemble (at The Viaduct Theater), Bernadine and Dina at the Neo-Futurists, the world premiere of Alex Kotlowitz’s and Amy Dorn’s An Unobstructed View at Pegasus Player’s Theatre (co-directed with Susan Padveen) and (as performer/creator): Walking Stick, an indie film from Grandville Yarnell Productions, Field House Lab’s inaugural production, Orpheus Now at the City of Chicago’s Storefront Theatre and an ongoing collaboration with Three Leaves Productions where he has worked on Growing Out of Us, and all three films comprising The Debilitales Trilogy. He has directed Project Upstart’s productions of Beckett’s Play and Harry Kondoleon’s The Fairy Garden and The Laramie Project for Performing Arts at Oakton College and his performance credits include Mercy at the University of Chicago, 12 Volt Heart at Northwestern University, a new theatre piece by Jeremy Cohen and Michael Elyanov based on the life of photojournalist Dan Eldon, Mark Ravenhill’s Shopping and Fucking at Bailiwick Repertory Theater and the Chicago premieres of The Heidi Chronicles, Sight Unseen and Exact Change. Jeff directed Morocco for Trap Door Theater, True West as the inaugural production of the Accidental Theater, The Pineapple Story for New Tuners Stages 2000, Caryl Churchill’s Ice Cream and Craig Lucas’ Blue Window for The School at Steppenwolf and two new plays for the Pegasus Players Young Playwrights Festival as well as co-directed (with Susan Padveen) Ken Lonergan’s The Waverly Gallery for that theater. He has taught at The School at Steppenwolf, Northwestern University’s ‘Cherub’ Program, The Actor’s Center, Center Theater’s Training Program and at Columbia College where he has been on the faculty for over twenty years and has directed productions of Spring Awakening, Reckless, The Diary of a Scoundrel, Leocadia, The Lucky Spot, The Waiting Room, The Wild Duck, Richard Nelson’s Goodnight Children Everywhere, Roland Schimmelphennig’s Push Up and most recently Jean-Claude Grumberg’s The Workroom. Jeff received a Presidential Scholar in the Arts Teaching Award and has twice been nominated for an Excellence in Teaching Award from Columbia College. He is a graduate of Boston University’s School of the Arts and the Yale School of Drama.
John Hildreth (Improv, adjunct faculty)
Jennifer Hubbard (Acting)
Joe Janes (Improv, adjunct faculty)
Lori Klinka (acting, adjunct faculty)
Teaches Advanced Scene Study, Acting I and Speaking Out. Lori has a vast background in several different fields. She has twenty years of teaching experience and a degree in English, Speech, Theatre and Education from the University of Iowa. She has taught Acting in schools and at many theatres. She has had her own private coaching business for on camera acting for the past twelve years.
Lori is a professional speaker and an award winning member of the National Speakers Association. She has been presenting programs about presentation skills and dealing with difficult people. Lori also does lots of individual speech coaching.
She has been an actress for twenty-five years in film, television, educational films, commercials and theatre.
She lives in Frankfort, Illinois with her husband Ken who is a professional comedian and radio talent and yes… they do laugh a lot!
Caroline Dodge Latta* (Lecturer- Acting)
Caroline Dodge Latta began at Columbia in 1981 as a part time faculty member in the Theater Department, became an Artist in Residence, and in 1986 joined the ranks of the full time tenured faculty. She teaches acting at various skill levels: basic skills, scene study, advanced scene study and the acting III styles Shakespeare; she is also a director. For the past four years she has led a summer student trip to the Stratford Shakespeare Festival in Stratford, Ontario. She is the Director of the Liberace scholarship competition and the internship coordinator for the Theater Department. She is also a consultant evaluator for the Higher Learning Commission.
Professor Latta received her B.A. in Theater from the University of Maine at Orono in 1969 and her M.A.(1971) and Ph.D. (1973) in Theater from the University of Illinois at Champaign/Urbana. She has taught at Case Western Reserve University, Worcester Polytechnic, the University of Illinois Chicago, and Northwestern University among others.
She is a professional actress in Chicago as well and has worked with such companies as Journeymen Theater, Citadel Theatre, City Lit Theater Company and Remy Bumppo. She recently performed as Mercedes in Adam Bock’s Thugs at Profiles Theater.
Dr. Latta was Dean of Columbia from 1994-2001 and was awarded the title of Distinguished Professor of Theater by the President for her service to the College.
Tom Mula* (Acting, Playwrighting, and Make-up)
B.F.A., University of Illinois; award-winning actor; director, playwright, makeup artist; winner of Joseph Jefferson Award for The Golem and Sylvia's Real Good Advice; author, Jacob Marley's Christmas Carol
Chicago actor, director, and playwright for more than 30 years. His plays W!, The Golem, and his work on Nicole Hollander's Sylvia's Real Good Advice were all recognized by the Joseph Jefferson Committee; he is also the proud author of Almighty Bob. His novel Jacob Marley's Christmas Carol was published in 1995 by Adams Media; it was a Chicago Tribune bestseller. The audio version was broadcast nationwide on NPR for six seasons; the play received the Cunningham Prize from the Goodman School of Drama at DePaul. It premiered in 1998 at Chicago's Goodman Theatre (also directed by Steve Scott), was Jeff-nominated, and received an After Dark Award. Since then, it has received hundreds of productions nationally and worldwide, including productions in South Africa and Australia.
Some of Mr. Mula's acting credits include Hot Mikado at Drury Lane, for which he received an After Dark Award and a Joseph Jefferson Award; Lawrence in Christine Thatcher's Emma's Child; the Fool in King Lear; Richard III, Caliban, Bottom, Feste, Malvolio, and Prospero; another award-winning solo turn in The Circus Of Dr. Lao; and seven seasons (over 400 performances) as Goodman Theatre's Scrooge. His directing credits include Jeff nominations for Porch and A Life, and the world premiere of Larry Shue's last play, Wenceslas Square in Chicago and at the Queens' Festival in Belfast.
Mula was Artistic Director of the Oak Park Festival Theatre for seven years, directing or appearing in As You Like It, Romeo and Juliet, The Tempest, Richard III, Midsummer Night’s Dream, and his own adaptations of Dr. Faustus and Henry IV pts. I and 2, titled Falstaff. Mula has spent fifteen summers at Peninsula Players in Door County Wisconsin. There he has directed productions of Amadeus, Lion in Winter, Red Herring, and Greetings, among others. He has appeared there in Cabaret, Cherry Orchard, Art, and far too many farces.
Mr. Mula has taught in the Theater Department at Columbia College for more than twenty years, most of them as an Artist-in-Residence. There he has directed Tartuffe; co-directed Ragtime, MacBeth, and Romeo and Juliet with Sheldon Patinkin; and appeared in Take Me Along and Twelfth Night.
Bradley Mott* (Acting)
B.S.S., Theater, Northwestern University; freelance actor
Claire Nolan (Acting, adjunct faculty)
B.F.A., Music/Theater, Illinois Wesleyan University; writer, actor, director, private coach; founding member of The Sweat Girls, previous Artistic Director of the Blind Parrot, adjunct faculty at Seabury/ Western Theological Seminary, core professor for Association of Chicago Theological Schools’ Doctor of Ministry in Preaching Program; recipient of a Joseph Jefferson Award Citation.
Clare’s theatre credits include her work with the Sweat Girls, a long-time Chicago solo performance collective about which one critic said, “Once the laughter and applause have faded, the brain remains buzzing, the spirit uplifted.” That group’s work includes pieces such as Sweatily Ever After, MotherLode, I’m Sweating Under My Breasts, Cirque de Sweat, Sweat Dreams, The Sweat Girls are…Coiffed & Dangerous. Clare’s theatre credits also include acting work in a range of other places, including Body Politic, Lifeline, the Organic, Buffalo Theatre Ensemble, New Tuners' Theater and Blind Parrot Productions. She served as Blind Parrot’s Literary Manager and Artistic Director and received a Jeff Nomination & Citation for her work there. Additionally, she teaches preaching at Seabury Theological Seminary and through the Association of Chicago Theological Schools' Doctor of Ministry in Preaching Program. Her work in preaching also includes workshops and private coaching.
Scott Olson (Acting, adjunct faculty)
Susan Padveen
Kathleen Perkins* (Acting)
She holds an M. F. A. from the University of Minnesota, and was a Professional Theater Program Fellow at the University of Michigan. A freelance actress and director, Kathleen has acted on diverse stages throughout the U.S. and Canada.
She is a member of Actors Equity and SAG, and has appeared in several TV and theatrical films including Judgment Night and the Coen brothers’ The Hudsucker Proxy. A 1999-2000, Carnegie Foundation Scholar (the first in theater), Kathleen is deeply involved in the Scholarship of Teaching and Learning (SOTL) movement supported by the Carnegie CASTL program. She has presented papers at national and international SOTL conferences and has served as a mentor at the National CASTL Institute for the last six years. She teaches Text Analysis and the senior acting class, coordinates the BFA and Assessment programs, and directs. Her most recent production was Gorki’s Summerfolk for the Main Stage season.
Brian Posen (Acting, Improv, adjunct faculty)
B.A., Psychology, B.A., Criminal Justice, Indiana University; B.A., Theater, Columbia College; M.F.A., Acting, University of Illinois; actor, director, producer, musician; Executive Producer, Lukaba Productions; Artistic Director, Chicago Sketch Musical Comedy, The Cupid Players, Broutil & Frothingham; Recipient of the Charles and Harriett Luckman Excellence in Teaching Award
Barbara Robertson (Acting, adjunct faculty)
B.F.A., University of Illinois; award-winning actress
Tony Sancho (acting, voice, adjunct faculty)
Stephanie Shaw (Acting)
Jim Sherman (Acting, adjunct faculty)
Catherine Slade (Lecturer- Acting)
Craig Spidle (Acting, adjunct faculty)
B.F.A., University of Nebraska; M.F.A., Illinois State University; freelance actor, director; Joseph Jefferson Award nominee 
Meg Thalkin (Acting, adjunct faculty)
Michael Thornton (Acting)
Dragan Torbica (Acting)
Wendi Weber (Acting, adjunct faculty)
Alan Wilder (acting, adjunct faculty)
Celeste Williams (Acting, adjunct faculty)
B.A., Journalism, B.A., Theatre, St. Mary's University, M.F.A., Acting, Graduate Fellow, University of Illinois; actor; Co-founder, Onyx Theatre Ensemble; four-time Joseph Jefferson Award nominee
Body Movement
Ann Boyd (Body Movement, adjunct faculty)
Performer, choreographer, director, writer and teacher. This past year she directed the Sweat Girls in Sweatily Ever After, choreographed Dead Man's Cell Phone at Steppenwolf, created a 10 person physical theater piece in 10 hours for Collaboraction’s Sketchbook, performed her solo No Time Like the Present at Finch Gallery, directed Maia Morgan's solo And now, the octopus for Live Bait's Filet of Solo Festival, directed Arlene Malinowski's one-woman show Aiming for Sainthood at 16th Street Theater in Berwyn and performed her original contemporary fairy-tale Naguales at Chicago Public Schools as part of Urban Gateways Touring Program. Ann is currently teaching body movement for actors at Columbia College, solo performance at the University of Chicago and drama for 4-9 year olds at Greeley School. Ann’s teaching is influenced by her interdisciplinary approach to making work and draws upon viewpoints and constraint-based composition as generative tools.
Rachel Bunting (Body Movement)
JulieAnn Graham (Body Movement, adjunct faculty)
Precious Jennings (Body Movement)
Julia Rhoads (Body Movement)
Brain Shaw (Body Movement)
Nana Shineflug* (Body Movement Coordinator)
M.A., Interdisciplinary Arts, Columbia College Chicago; dancer, choreographer; performance artist; photographer; founder and Artistic Director, The Chicago Moving Company; recipient, 1990 Ruth Page Award and 1996 Columbia College Lifetime Achievement Award 
Suzanne Thompson (Feldenkrais Movement, adjunct faculty)
M.A., Theater, Speech Therapy, East Texas State University; post-graduate work, Dallas Theatre Center; actor, director, choreographer, certified Feldenkrais practicioner; teaching faculty, Victory Gardens Theatre, Steppenwolf Theatre Professional School
Dennis Wise* (Movement Lecturer)
B.F.A., Dance, Brigham Young University; community performance director
Combat
John McFarland (Stage Combat, adjunct faculty)
B.F.A., Theatre Performance, Wayne State University, M.F.A., Performance, Brandeis University; actor, fight director, Movement, Acting & Voice Coach; Co-Founder and former coordinator for Largest Regional Stage Combat Workshop in the nation, The Winter Wonderland Workshop
David Woolley* (Stage Combat Coordinator)
B.F.A., Acting, Goodman School of Drama, DePaul University; Fight Master, Society of American Fight Directors; recipient, Joseph Jefferson Award for Consistent Excellence in Stage Combat; recipient, Off-Loop Theater Award for Best Fight Direction; freelance actor and fight director
Design
Mary McDonald Badger (Producing Director) 
Karen Berger-Nolte (Stage Make-up, adjunct faculty)
Dale Calandra (stage makeup, adjunct faculty)
Christina Carlson
Carolyn Cristofani
Jason Epperson (Production Coordinator, Lecturer)
Heather Gilbert* (Lighting Design Coordinator)
BA in Drama Trinity University in San Antonio, MFA in Lighting Design The Theatre School at DePaul University. For many years Heather has worked as a freelance lighting designer based out of Chicago. Her work has been seen on Chicago stages including the Court Theatre, Chicago Children’s Theatre, Steppenwolf Theatre, Lookingglass Theatre, the Hypocrites Theatre Company, and lots and lots of storefront theaters around the city. In New York Heather’s lighting design for David Cromer’s production of OUR TOWN is enjoying a long run at the Barrow Street Theatre. Heather’s work has been seen in theatres in such extreme locations as Singapore, Louisiana, and Los Angeles among other cities and countries. From 1999-2001 Heather received the support of the National Endowment of the Arts/Theatre Communication Group Career Development Program. In addition to theater design, Heather has designed multiple exhibits for the Museum of Science and Industry in Chicago. Heather worked with many of the most influential and creative artists in the American theatre, including being part of the original productions of such pieces as Suzan Lori Parks’ Topdog/Underdog both on and off Broadway. She also participated in the creation of the Tony Award winning production One Flew over the Cuckoo’s Nest that originated in Chicago before transferring to both London and Broadway. She has been at Columbia College since 2006.
Kristen Hill (Stage Make-up, adjunct faculty)
B.A., Interdisciplinary Arts, Columbia College; freelance make-up artist and designer
Tom Keiffer (Costume Shop Foreman)
Michael Maddox (Technical Director) 
Frances Maggio* (Costume Design Coordinator)
M.F.A., Costume Design, DePaul University; freelance costume designer 
Jacqueline Penrod* (Set Design Coordinator)
USAA. B.F.A., University of Illinois at Champaign/Urbana; She has design professionally for over twenty five years, individually and as a partner in Penrod Design. Recent designs include Around the World in 80 Days for Lookingglass Theatre, Love’s Labour’s Lost for Milwaukee Shakespeare, Philadelphia Story for Remy Bumpo. Has received many awards for her design work. Former resident designer, National Jewish Theater, Member of the steering committee for the Michael Merritt Awards and Scholarship program.
Collette Pollard (CAD, adjunct faculty)
Keith Pitts* (Lighting Design)
Patricia Roeder (Costume Shop Manager)
Mick Thomasson (Master Carpenter)
Brandon Wardell
Chelsea Warren
Julie Young
Directing
Andrea Dymond (Lecturer)
John Green
Terry McCabe* (Directing)
M.F.A., Directing, Northwestern University; freelance director;
artistic director of City Lit Theater and author of Mis-Directing the Play: an Argument against Contemporary Theatre (Ivan R. Dee Inc; hardback 2001, paperback 2008).
Susan Padveen (Directing Coordinator)
David Puszkiewicz (Production Manager)
Michael Ryczek (Academic Manager)
Joanie Shultz
Musical Theater
Philip Caldwell (musical theater, adjunct faculty)
Roberta Duchak (Musical Theater)
Courtney Hischke (dance, adjunct faulty)
Margaret James (musical theater, adjunct faculty)
Christie Kerr (dance, musical theater)
Linda Parsons-Fortunato (dance, adjunct faculty)
Stephanie Shaw* (Musical Theater)
B.A., Columbia College Chicago; MFA Columbia College 2009
Senior Lecturer in the Theater Department, teaching classes in Musical Theater, Acting and Solo Performance.
She has performed in many theaters across Chicago, including Apple Tree Theater, The Body Politic, Wisdom Bridge, Oak Park Festival Theater, Stage Left, Lifeline, The National Jewish Theater, The Royal George and The Curious Theater Branch, among others. She was a theater critic for The Chicago Reader for three years and a member of The Neo-Futurists for four years, writing and performing regularly for the ongoing late night hit Too Much Light Makes the Baby Go Blind. She has written and performed several solo performance pieces that have been produced at The Neo-Futurarium, Live Bait Theater, The New York Fringe Festival, The Chicago Poetry Center, The Dollar Store, The Rhino Fest, Second Story and the semi-annual Estrogen Fest. She has directed several solo performance pieces for Live Bait Theater, and is a member of BoyGirlBoyGirl, a solo performance ensemble here in Chicago.
At Columbia she has directed Lion In The Streets, Jesus Christ Superstar (with faculty member David Cromer), Never Swim Alone, Proof , Les Miserables (with faculty member Estelle Spector), The ThreePenny Opera, Urinetown: The Musical, West Side Story and The Pirates of Penzance. She is also the facilitator of the theater department’s twice yearly 24 Hour New Plays Festival. Her short story Afterbirth has won numerous awards and is set to be published in Interfictions 2 in the fall of 2009. Her novella, Mademoiselle Guignol has been accepted by Doorways Publications and will be available sometime in the foreseeable future.
www.boygirlboygirl.org
Andra Velis Simon (Musical Director)
Estelle Spector* (Musical Theater)
Freelance director and choreographer; member Joseph Jefferson Award Committee
Amy Uhl* (Musical Theater Dance, Musical Theater Dance Coordinator)
Union affiliations: AEA, SSDC, IATSE Local 798
Amy holds a B.A. in Drama and Communications/Broadcasting from Jacksonville State University. She joined Columbia College Chicago’s full time faculty in Fall ’07 as the Musical Theater
Dance Coordinator. Recent department credits include Pirates of Penzance (choreographer) and A Christmas Carol (director/choreographer). Amy has worked as an actress, singer, dancer, director/choreographer and teacher for over 20 years in New York City. She continues to work as a freelance Director/Choreographer and has also been a member of the hair/make-up department for such Broadway productions as Spamalot, Beauty and the Beast, All Shook Up, Dracula, Little Women and 42nd Street. As a performer, Amy played Hunyak in Chicago starring John Davidson and Gertie in Oklahoma! starring Sandy Duncan both at Cherry County Playhouse. Amy has appeared in several regional and touring productions of A Chorus Line performing the roles of Cassie, Sheila, and Bebe under the direction of Baayork Lee, Mitzi Hamilton, and Dennis Edenfield. Additional regional credits include Charity in Sweet Charity, Velma in Chicago, & Anita in West Side Story. Some regional director/choreographer highlights include Oklahoma! starring Sandy Duncan, Guys & Dolls starring Eddie Mekka, A Chorus Line (award winning production), and Beauty & the Beast. Amy has been on faculty at STEPS dance studio in New York City. She has also been on faculty at New Jersey School of Ballet, Wagner College and Ithaca College.
Albert Williams* (Musical Theater)
Albert Williams (Senior Lecturer, Musical Theater Program Coordinator) has worked as a performer, writer, and composer for theater and music productions in Chicago, New York, and around the country. He was a member of the Chicago Free Theater, one of the seminal troupes that helped launch Chicago's off-Loop theater movement. A graduate of Columbia College Chicago (BA in Music), he has taught at the college since 1985. He wrote libretti for several operas by Columbia's late Music Department founding chairperson, William Russo, including Isabella's Fortune (produced off-Broadway at the Westside Theatre) and The Golden Bird (premiered under the auspices of the Chicago Symphony Orchestra). He is also an award-winning arts journalist and a staff writer and arts blogger for the Chicago Reader, the city's premier alternative weekly newspaper. His theater and film reviews have earned him the prestigious 1999-2000 George Jean Nathan Award for Dramatic Criticism, presented jointly by Cornell, Princeton, and Yale universities, as well as two Peter Lisagor Awards from the Chicago chapter of the Society for Professional Journalists. His work has also been published in the New York Times Book Review, Chicago Tribune, Chicago Sun-Times, American Theatre, The Advocate, and Entertainment Weekly. He is listed in Who's Who in America, and in 2003, he was inducted into the City of Chicago's Gay and Lesbian Hall of Fame for his "important contributions to the cultural life of Chicago."
Playwriting
Tom Mula (Acting, Playwrighting, and Make-up) 
Lisa Schlesinger* (Playwriting)
Jim Sherman (Playwriting, adjunct faculty)
Second City
Michael Gellman
Norm Holly
Anne Libera
Mary Scruggs
Text, History, & Dramaturgy
Kimberly Baker (Text Analysis, adjunct faculty)
Joined Columbia College in the fall of 2007 as an adjunct. Her recent and upcoming directing projects include: The Glass Menagerie, Tennessee Williams, Oakton College (Mar. 08), Dolly West's Kitchen, Frank McGuinness, Timeline Theatre (Jan. 08), Eye of the Storm, Charles Way, Vittum Theatre (Nov. 07), The Busy World is Hushed , Keith Bunin, Next Theatre (Sept. 07), The Laramie Project, Tectonic Theatre Project, Act One Conservatory (May 07), Tiny Baby, Eric Pfeffinger, Estrogen Fest 07 (June 07), Narnia, CS Lewis, Emerald City Theatre (April 07), American Divine, Joe Pintauro, Act One Conservatory (Jan 07), Feast, Aline Lathrop, Chicago Dramatists (Jan 07), Born Yesterday, Garson Kanin, Oakton College (Oct 06
Bill O' Connor
Kathleen Perkins (Text & History Coordinator)
Kimberly Senior
Brain Shaw
Wendi Weber
Voice
Erin Annarella (Voice, adjunct faculty)
has taught voice/speech and acting at The University of Texas at Austin and The American Musical and Dramatic Academy in New York City. Most recently, Erin served as Voice Coach for the Broadway production of August Wilson’s Radio Golf. She has vocal coached at Seattle Repertory Theater, Baltimore Center Stage, The Huntington Theater, True Colors in Atlanta, and The Goodman. As an actress and singer, her regional credits included The Pirates of Penzance, H.M.S. Pinafore and You Can’t Take it With You (Essie) at the Pittsburgh Public Theater; The Mikado (Yum Yum) Macbeth (First Witch), and The Comedy of Errors with The Utah Shakespeare Festival; Marriott Linconshire Theatre, The Illinois Theatre Center, The Theatre Under the Start (Houston), The 5th Avenue Theatre (Seattle) and The Utah Festival Opera. Additionally, Erin has performed Cabaret in New York City and Chicago, and is a member of Actor’s Equity Association. Erin received an M.F.A. in Acting from The University of Texas at Austin and studied voice at The Royal Academy of Music in London, The University of Texas, and privately with Claudia Pinza, Joseph Evans and Barbara Maier.
Don Brearly
Gigi Buffington (Voice, Acting, adjunct faculty)
AEA, SAG, AFTRA, VASTA. Voice and text coach, voice over artist, and performer. She recently worked on the 2008 season at the RSC (Royal Shakespeare Company) on Chief Associate Artistic Director Greg Doran's productions of, A Midsummer Night’s Dream, Hamlet (with David Tennant and Patrick Stewart), and Love’s Labour’s Lost. She led text workshops from the plays to teachers and university students at Shakespeare’s Birthplace Trust, company warm ups for the acting ensemble in the Courtyard Theatre in Stratford-Upon-Avon, and one on one voice and text sessions to the acting company. She is one of two practitioners in the world, and the only American, trained by Patsy Rodenburg at the Guildhall School of Music and Drama in London where she completed her Master's degree in Training Actors (Voice). She will receive a Post Graduate Award in, The Teaching of Shakespeare in Theory and Practice for Actors and Artists, from Warwick University in May ‘09. While living in the UK she led workshop intensives in Viewpoints & Composition for MadHouse Theatre Company at the Nemzeti Theatre in Budapest, Johnny Flynn and Company at Shunt, London, and at Rose Bruford College of Music & Drama.Inspired by Anne Bogart and the SITI Company she founded and is the artistic director of, Field House Lab, a company committed to exploring physical and vocal improvisation as a vehicle for creating original work. Field House Lab presented the world premiere of Orpheus Now, written & directed by Buffington at the city of Chicago's, Storefront Theater, in their 2004 - 2005 season.
Her film credits include the lead role in, Galileo's Grave, written & directed by Clayton Brown, Empathy, (official jury selection: Berlin, Jerusalem and Chicago International Film Festivals). Empathy received its US premiere at New York's Film Forum in January 2004; Paramount Pictures, Just Visiting, with Jean Reno and Christina Applegate; SAG independents, The Debilitales (Lead) and Growing Out of Us, written & directed by Daniel MacRae, Everything He Touched, written & directed by Nancy Kucke, and Thorndale, written & directed by Ryan Miller.
She wrote, directed and performed, The Prince Of Wales, with an original score by Randy Tressler, featured in the Chicago Humanities Festival: Words & Pictures. Her short story, Crushed, was featured in Midnight Mind and Band-it-lit magazines. She has been awarded three artist-in-residence grants to The Ragdale Foundation for her writing and served as a panelist.
Regional Theater highlights include Emily Dickinson in, The Belle Of Amherst, and the dual role of Geronte and the Amanuensis in, The Illusion, directed by Michael Cristofer. Also in New York, she performed in readings with Marsha Mason, Debra Monk, David Strathairn and Melissa Leo. She was a company member of Actors & Writers, with Ron Nyswaner, Nina Shengold, Mary Louise Wilson and Adam LeFevre among others.
An extensive career as a modern dancer included representing the United States in the Ballet Festival V in Trujillo, Peru. She performed in modern dance companies throughout Chicago and taught workshops and master classes in Modern and Jazz dance throughout the United States, Canada, and Europe. She has choreographed productions for The Goodman Theatre, Remains Theatre Co. and ARTCO.She presented a voice study at the Scholarship of Teaching and Learning 2005 Conference with Columbia College colleagues on effective methods and approaches used to solve persistent vocal problems in nasality and its effects on vowel formation.
She has served as vocal coach for CNN International working with bureau chiefs in Moscow, New Delhi and Lagos, and the managing editor of southeast Asia.She received her acting training in Meisner Technique in New York City with Maggie Flanigan (William Esper Studio) and Robert Neff Williams (Voice & Speech). She holds a Bachelor of Arts degree from Columbia College Chicago and is a certified instructor of Soaring Crane Style Qi Gung. She is married to vocalist Steve Evans. www.steve-evans.com
Sharon Carlson (musical theater, adjunct faculty)
Adjunct professor of voice at Columbia College Chicago in the Music Department and in the Theatre Department. She has been a spokesperson for public television channel WTTW in Chicago for twelve years. A member of Actor’s Equity Association, she has appeared in scores of theatrical productions. Ms. Carlson has served multiple terms on the boards of Actor’s Equity Association, Screen Actors Guild and the American Federation of Radio and Television Actors.
Her most recent project is to produce the libretto for Black Hawk Speaks in collaboration with internationally renowned composer Patricia Morehead.
Recent theatre credits include Ravinia Music Theatre’s production of Sunday in the Park with George featuring Patti Lupone, Audra McDonald and Michael Ceveris. Also, Sharon played Stella Deems in Little Theatre on the Square’s production of Follies, featuring Ann B. Davis, Joan Roberts, Bill Hayes and Colleen Zinc. Her New York credits include Comedy of Errors (GeVa); Celestina (Producers Club); and Hot Flashes on the Way to Spandex (The Duplex). She has appeared in numerous Chicago productions, among which some of her favorites are Lost in Yonkers, Grandma Kurnitz, (Royal George); A…My Name is Alice, Woman #4, (Ivanhoe Theatre); The Sound of Music, Mother Superior, (Drury Lane Oak Brook); Once in a Lifetime, Mrs. Walker, (Court Theatre); Summer Stock Murder, Doris/Cindi/Mara, (Theatre Building). Favorite regional roles include Mrs. Lovett, Sweeney Todd (Human Race Theatre); Mama Rose, Gypsy, and Frau Schneider, Cabaret (Skylight Opera); Ruth, The Pirates of Penzance (Lyric Opera Cleveland); Madame Arcati, Blithe Spirit (American Theatre Center); Kate, All My Sons (Peninsula Players); Dorothy Parker and others, Together Again (Lyric Opera San Diego).
She was Disney’s TV Talent Director for Out of the Box for three years, as well as being an on-camera talent. Sharon has appeared in numerous TV and radio commercials and has been honored with a Jeff Citation and an Artisan Award. This classically trained singer writes and performs her Opera Satire productions nationally in concert and cabaret, teasing Grand Opera with such belles as La Triviata, Madama Butterball and Carmencita.
Kate DeVore (Voice, adjunct faculty)
B.A., Theater, University of Maryland, M.A., Speech-language Pathology, University of Iowa; CCC-SLP; voice/speech pathologist, speech/dialect trainer, actor, personal development coach; operator of Total Voice; awarded the Clyde Vinson Award from VASTA. She is a theatre voice/speech/dialect coach, a voice/speech pathologist, and a Personal Development Coach. She operates Total Voice, Inc. (www.TotalVoice.net) in Chicago, where she coaches professional voice users ranging from actors to executives, and she teaches at the Acting Studio Chicago and The School at Steppenwolf. Her book, "The Voice Book: Caring For, Protecting, and Improving Your Voice" was released in July, 2009. Her downloadable dialect training and speech enhancement materials are available through www.AccentHelp.com and www.GeneralAmericanAccent.com. Kate presents workshops and lectures nationally and abroad.
Doreen Feitelberg (Voice, adjunct faculty)
B.A., English, Classics, University of the Witwatersrand; Speech, Drama, University of South Africa; Speech, Drama Teaching Licentiate, Trinity College, London; voice and acting coach, actor; Joseph Jefferson Award Committee Member; author of The Sound of Voices; awarded Honorary Life Vice-President of the South African College of Speech and Drama Teachers
Lori Klinka (Speaking Out)
Cyndi Maxey (Speaking Out, adjunct faculty)
John McFarland
Kevin O'Connor (Speaking Out, adjunct faculty)
Susan Philpot (Dialects, adjunct faculty)
Freelance actress and dialect coach
Tony Sancho (acting, voice, adjunct faculty)
Catherine Slade* (Voice)
B.A., Columbia College Chicago; freelance actress and director; founding member, The Working Theater, New York; founder and Artistic Director, Manhattan Bridge Company, New York; member of Kristen Linklater's Company of Woman, Harvard University
Kendra Thulin* (Voice)
Celeste Williams (Acting, adjunct faculty)
David Yondorf (Voice, adjunct faculty)